Want to become
a travel writer?
 


I am unable to respond to all requests for career advice, due to a busy work schedule. My best (and admittedly biased) recommendation? Take one of my classes or independent study programs. But if budget woes prevail, here are some resources.


Courses offered
online and in-person
 
Workshops taught (or co-taught) by Amanda Castleman:

Other options include tutoring, coaching and manuscript consultation.


Travel Writing
Class.com,
Rome, Italy
 


Travel Writing and Photography Workshop, Rome, Italy
Study as you plan to continue – on the road. Start in the Eternal City this spring ... Join Amanda Castleman and a professional photographer for a seminar in Italy's capital. Travel Writing Class.com offers a week-long $1,500 course. The Susan Tifft Scholarship provides a 50% tuition discount for the winner of our essay competition, which has a February 28 deadline.

Dates: Spring 2010
Fee: $1,500, if paid in full before February 25, 2010. Prices then rise to $1,700. These small courses fill quickly. Pre-register to reserve a spot.

Discover details on Travel Writing Class.com.


Writers.com

 

 

 

 


Travel Writing: From Press Trips to Punctured Tires (10 weeks)
The glamour of travel writing attracts many people. After all, who wouldn't want subsidized trips to exotic destinations? But it's not all easy living. Journalists must concoct ideas, sell them, plan the trip, research extensively in the field and then craft a gripping article. It's work. Nice work, if you can get it, but a far cry from slobbing on the beach with a margarita.

The ten-week course prepares you to enter this competitive arena. Explore the different types of travel writing, including first-person memoirs, destination guides, historic reflections and news flashes for globe-trotting executives. Learn to devise appealing pitches and target the right editors. Discover the tricks of the trade, from filing taxes to building a journalism portfolio.

Other topics include photography, narrative devices, research and interview techniques, new media as a marketing tool, and – perhaps the greatest challenge – how to earn a living wage. The class also covers ethical considerations (for example, subsidized trips alienate publications like The New York Times and The Los Angeles Times).

You don't need to be a world traveler to become a "writer about place". Reveal the secrets of your hometown for visitors. Record an exceptional hike or festival. Share family holiday hassles and tips on how to avoid friction. The important thing is to learn how to capture a journey's details and sensations – even the frustration of a flat tire – then spin them into published work and paychecks.

This course takes you through the process step-by-step, with weekly lectures, discussions and feedback. Amanda works intensively with students' prose, interleaving comments (line-critiques). She fine-tooth-combs the text, figuring out what's naughty and what's nice – and why. The process can help amateur and seasoned writers alike discover a new voice and inspiration. By the last lesson, you should have a polished draft ready for submission – and be on your way to making vacation a vocation.

Dates for 2010: January 4, March 22, June 7, August 23, November 1. Late-enrollment open until day ten, space permitting.
Fee: $310
via Writers.com, email Mark Dahlby for details

Learn more on Amanda's site or Writers.com.

Ongoing Travel Writing Workshop with Amanda Castleman (10 weeks)
An ongoing writers' workshop for anyone who has taken Amanda's travel-journalism class.  No lecture, no lesson and no assignment. Instead, the course focuses on works-in-progress: from queries to articles to book-length memoirs. Whether you're trying to rough out a first draft or polish pieces for publication, each week you'll submit up to 750 words for feedback. You'll also critique other writers in the workshop. Via Nicenet, Amanda will post links, commentary and conferencing material. Advanced Travel Writing Instructor Edward Readicker-Henderson may "guest star" occasionally.

Dates for 2010: January 18, March 22, June 21, September 6, November 15. Late-enrollment open until day ten, space permitting.
Fee: $310
via Writers.com, email Mark Dahlby for details

Recommended reading:
Best American Travel Writing 2009 by Simon Winchester
Writing Tools: 50 Essential Strategies for Every Writer by Roy Peter Clark

Learn more at Writers.com.

Travel Writing Master Class (10 weeks)
By invite only, this workshop allows prior students to hone their craft under guidance from Amanda and guest instructors. Mark Dahlby will contact eligible authors by late-April. Please contact him if you suspect you've been overlooked (cyberspace can be dodgy...).

Dates for 2010: June 7

New Media: Explore the Publishing Frontier (10 weeks)
Taught by a retired Microsoft programmer and a full-time freelance writer, this workshop focuses on the art and the craft of new media. Instructors Mike Keran and Amanda Castleman offer a crash course in self-publishing, online promotion and social networks, suitable for raw recruits to intermediate bloggers.

The brave new media world has revolutionized self-expression, so even hobbyists can create professional-looking platforms for their prose, photography and graphic design. The instructors' wide skill-sets and wry styles help them painlessly coach any pupil to his or her comfort level, whether that's an intimate family chronicle, a monetized commercial site or a shingle in cyberspace for an author or communications expert.

Students lab-test blogs, while learning about Web 2.0, social media and responsible citizen journalism. They explore the history of new media and its future, ethics, syndication and traffic generation. The workshop also focuses on literary aspects: developing a distinctive voice, thematic continuity, content pacing and shaping short narrative. It touches upon "other voices, other rooms:" adding diversity though interviews, memes, images, links and multimedia. From basic SEO to CSS-hacks, this class provides new-media newbies with the tools to grow more serious.

New Media: Explore the Publishing Frontier runs on Blogger (lectures, comments) and Nicenet (feedback, calendar, messaging). More comprehensive than any other new-media class online – and likely the most affordable– this workshop provides any amount of challenge you crave.

Dates for 2010: January 13, April 21, July 28, October 27. Late-enrollment open until day ten, space permitting.
Fee: $310
via Writers.com, email Mark Dahlby for details

Learn more at Writers.com.


Hugo House,
Seattle, WA

The Written Road
“We travel, initially, to lose ourselves,” Pico Iyer once said. “And we travel, next, to find ourselves.” Explore how to chronicle a journey—both exterior and interior, employing literary techniques such as plot and dialogue. Practice interweaving narrative, insight and analysis to capture the adventure that is uniquely yours.

Date: 2010 dates to be announced
Time: 1–5pm
Fee: Members $85.50, General $95.

Richard Hugo House, 1634 11th Avenue, Seattle, WA; 206.3227030. Details here.


Hugo House,
Seattle, WA


I also teach one- and four-day new media workshops in person for the Hugo House, in Seattle. Dates for 2010 forthcoming...


Tutoring


Private instruction allows one-on-one relationships between instructors and writers at all levels. I can critique and hone texts; help with plot and structure; tune dialogue; aid research; teach the fundamentals of craft; or prepare a manuscript for submission.

Fee: $60 per hour via Writers.com. I bill one hour for a detailed line-critique of 750 words or for a more holistic overview of larger texts, depending on the student's needs, budget and word count.

Money permitting, I would recommend at least one line-critique (where I edit the piece thoroughly and explain the rationale behind each suggestion). Most pupils – even experienced journalists for publications like the Los Angeles Times – consider this the most valuable service I offer. Please contact Mark Dahlby for further details.


Writing
Coaching


Even experienced authors sometimes need guidance: an external eye and cheerleading voice. I work with writers on voice development, plot structure, grammar and rhetoric, data mining, marketing, pitching (articles and book proposals) and – often the greatest hurdle of all – just getting started.
We confer online or in coffeeshops in Ballard, Seattle.

Fee: $60 an hour by arrangement with the instructor. For a larger, on-going projects, “bulk discounts” are available.


Manuscript
Consultation


I devise a three- to five-page report, outlining suggestions for improved clarity, style and marketability. Most effectively, this is paired with a line-critique: a detailed edit, which reveals a writer's unconscious patterns and explains the rationale behind changing them.

Fee: $1 per double-spaced page by arrangement with the instructor. Please note, this service is only available for longer projects, 50 pages or more. Line-critiques cost $50 per 750 words.


Payment

Writers.com accepts Visa, Mastercard and American Express for courses and tutoring. Personal checks in US dollars are accepted for independent study, coaching sessions and manuscript consultations. Paypal is also fine, but students are responsible for any related fees (usually 2.9%).

Comments


"I haven't taken Amanda Castleman's class – I already make a living as a travel writer – but because she's a friend, she just looked over a 6,000-word piece I was doing for National Geographic Traveler. Plain and simple, her comments and suggestions were the best I have ever seen from any editor, anywhere. Amanda's a genius."

–  Edward Readicker-Henderson
Winner of a 2004 Lowell Thomas Award.

"Amanda is a phenomenal editor and a patient teacher – precise but not nitpicky, critical but not harsh. My writing is clearer and more focused than ever before. I spent eight semesters in creative writing classes at UC Berkeley, and Amanda offered more guidance and carefully directed help than any professor I took there."
–Jenna Williams

"Her approach to teaching is clear and concise. I'll not be surprised if one day she writes a book on Travel Writing. ... She is an inspiration, an ideal to aspire to."
James Polk

"She is a dream teacher, just the right balance between a knuckle-rapping tutor and a mom full of hugs. Thanks again for Writers on the Net. The course fees are lots cheaper than a shrink!"
– Linda Petrucelli

"To have my first article accepted by the first publication I approached – the Christian Science Monitor – was like rocket fuel for me, and I have Amanda Castleman's expertise to thank."
– Anne Clippinger, PhD
Adjunct Lecturer, Department of English, Montgomery College, Md.

"After taking her class, I went on to publish a number of travel writing stories and currently have 20 travel assignments due to my favourite editor (Canadian Living's online presence: www.canadianliving.com) before July 1. I started picking up assignments while taking Amanda's class and have kept all my notes for easy reference. Cheers."
Dee Van Dyk
Professional Member
Periodical Writers Association of Canada
Travel Media Association of Canada

Read more reviews


Resources
 
I've posted some advice here, as well as a list of books and sites useful for travel writing, part of my curriculum.

Updated December 2009


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